My project is a gravity defying complex of three hexagons meant to show our victory over the current
pandemic. My idea
is an atypical reality where the viewer could “float” throughout the museum from the bottom up. These
hexagons are
transparent glass overlaid with a transparent digital composition created from a view of earth from space
with a burning
continent viewable, a drone aerial view of a crowd of people and an asymmetrical view of a stain glass
window all
blended together and placed on each glass wall of the entire museum complex.
The three sculptures and the “stained glass” walls of the museum are a representation of the current
pandemic and my
hope for overcoming this trying time in the near future. The larger sculpture in the larger bottom hexagon
represents
the pandemic, the virus, the deaths, and the “party” the virus is having by collecting human lives.
The top two sculptures represent humanity overcoming the virus pandemic. The female sculpture shows
“Victory” and also
shows the “seed” of humanity sprouting again, it is a representation of our resiliency and ability to
overcome hardship.
Overcoming this hardship is depicted in the victory sculpture by the statue “smashing” the virus under both
feet. The
male sculpture references the “heart” of humanity as well as the concept that love conquers all, that we
should see the
connection of love for each other as well as our worldwide humanity in the face of this crisis.